arum: a white room
25 July - 31 August 2008
Arum: a white room is a site specific
installation by Nelson based artist Anne Rush. It is the culmination of more than two decades of
full-time art practice and weaves together multiple strands from Anne's career. The scale
and ambition of the exhibition is an unprecedented achievement for this artist and marks a seminal
point in her artistic development. The installation also signals a turning point in
the artist's life and in this respect, is transformative at both an artistic and personal
level.
Arum: a white
room explores the relationship between shadow and
light, memory and experience, loss and hope, and looks at the emotional transitions in our
lives. It focuses on the symbol of the arum lily, a flower that has been used in ceremonies
commemorating loss, marriage and spiritual belief. This symbol first appeared in
Anne’s 1995 series of paintings, Journeys, exhibited at The Suter Art
Gallery. The arum then took on a greater significance in her work as she faced a
period of overpowering loss. Anne began to construct the arum lilies in
three-dimensions affixed directly to a canvas surface. She also began to work in an
entirely white palette which emphasised the interplay of light and shadow between surface and
form. This was an important departure for an artist known previously as a colourist
and reflects the impact of this period on the artist’s life.
While the inspiration for arum: a
white room comes from a private place, like a flower, it has developed into a public
expression of tranquillity and serenity. The artist’s intention for this exhibition is to
share her hard won sense of peace with others by creating a total experience that encourages
interaction and contemplation. In this all white environment, observe how your shadow
mingles with those of the arum lilies – effectively making you part of the work.
Pathways through the installation lead to quiet resting places and there is a journal for you to
record your thoughts and responses. This sharing of experiences and remaining open to
the beliefs and interpretation of others, is something that Anne has learnt during her “search for
peace in an uncertain world”.
The artist would like to acknowledge the collaboration
of the following:
Technical support: Sam Laidlaw
Furniture: by Roger Davies
Lighting: by Anthony Hodgson
Construction: by A J Brown Builders
Paint supplied by: Resene
Construction materials: supplied by Nelson Pine
Industries